The T Listing: 5 Issues We Advocate This Week

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Welcome to the T Listing, a publication from the editors of T Journal. Every week, we’re sharing issues we’re consuming, carrying, listening to or coveting now. Enroll right here to search out us in your inbox each Wednesday. And you may all the time attain us at [email protected].

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For the previous 25 years, the painter Stanley Whitney, a veteran of New York’s summary faculty, has mined the formal, political and emotional energy of coloration, overlaying canvases with grids of wealthy, saturated hues. In line with the latest spate of reveals devoted to the work of Black summary painters, final week noticed the opening of the artist’s first main solo exhibition in Los Angeles, “Stanley Whitney: How Black Is That Blue,” which contains a collection of 11 works he created final yr and is unfold throughout Matthew Marks’s two galleries there. The 8-by-8-foot title portray is punctuated with a small black sq., highlighted with cerulean and midnight edges, that sits atop a block of lush, opaque azure within the higher left-hand nook of the canvas — a microcosm of the various alluring blues and blacks, together with hanging golds, reds, pinks and greens, that echo all through the present. In “Twenty Twenty” — the most important work on view, at 12 ft large by 8 ft excessive — a skinny blue line careens off the decrease portion of the canvas, tracked by one other, in black, that runs parallel to it. The titles of Whitney’s work are sometimes plucked from his favourite strains in songs or books. “How Black Is That Blue” is lifted from a poem by Osip Mandelstam, nevertheless it’s additionally harking back to the jazz commonplace immortalized in Louis Armstrong’s rendition of “(What Did I Do to Be So) Black and Blue.” (Jazz has lengthy influenced Whitney’s work.) The works “can have all of those connotations,” says Jacqueline Tran, the gallery’s senior director, “along with presenting a proper query about coloration.” Certainly, every of those work, which appear to submerge the viewer of their radiant density of pigment, affirms the reality of Whitney’s assertion that “coloration brings a lot emotion and depth to folks.” “Stanley Whitney: How Black Is That Blue” is on view by April 10 at Matthew Marks Gallery, 1062 North Orange Grove and 7818 Santa Monica Boulevard, Los Angeles,

Nestled within the pristine alpine hamlet of Les Giettes, in Switzerland’s Valais area, the eco-friendly Whitepod resort gives a resplendent strategy to expertise the Alps. Designed in 2004, it consists of 18 single-room geodesic domes during which friends can take pleasure in an intimate getaway with views over the town of Monthey. However these in search of a bit more room are additionally in luck: Final yr, the property added 9 picket chalets (with plans to construct 12 extra), designed by the Californian-Swiss structure agency Montalba Architects to resemble a mountain village. Every contains a number of bedrooms, a front room and a eating room, and, in step with the resort’s mission to supply each luxurious and environmentally sound lodging, is power environment friendly, with electrical energy provided from generators powered by mountain spring water. Made completely of Swiss supplies — together with zinc roofing and exterior cladding long-established from larch — the chalets additionally characteristic stable cedar tables by the Italian design studio Durame and uncooked fiber mattress frames by the Swiss sleep firm Elite. Friends awaken to expansive views of the encompassing forest and Lake Geneva, and are greeted with a breakfast of native specialties — together with buttery croissants and levain bread served with apricot and raspberry jams — delivered to their door through an electrical meals truck. The beneficiant unfold is important sustenance for a day spent on the property’s 15 miles of climbing routes and slopes for snowboarding, snowboarding and snowshoeing. Chalets begin at round $730 an evening,

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Every time Diana Zheng, who moved to the USA as a toddler, returned to the Chaoshan area of China, she would reunite with household over infinite rounds of gong fu tea. The customized, a centuries-old ceremony that makes use of small vessels that “pressure you to concentrate: to the brewing, serving, sipping and to the folks round you,” she says, impressed Zheng, who’s now primarily based in Los Angeles, and Ayumi Takahashi, her enterprise associate, to begin Three Gems Tea, a line of loose-leaf infusions and tea ware, in 2019. The model at present gives six oolong varieties, all of that are sourced from household farms in China and Taiwan that use biodynamic and natural rising practices. There’s the calmly roasted Endlessly Spring, with notes of honey and gardenia, in addition to Candy Cassia Rock, a darkish roast from Fujian’s Wuyi mountains, with hints of earthy plum and caramel. My favourite, although, is Midnight Blossom, a dancong varietal from China’s Phoenix Mountain, with lengthy, twisted leaves and a wealthy aroma of jasmine and wooden. Additionally out there is a brightly coloured gong fu tea set, handcrafted in Jingdezhen, China’s ceramics capital, by the husband-and-wife staff of Studio Kaiwu, who create up to date items in porcelain. Later this yr, Three Gems will launch an natural line, with elements sourced from sustainable growers all through California and paired with tea ware from the L.A.-based ceramist Eunbi Cho. Additional down the highway, Zheng and Takahashi envision a collection of choices from Japan, the place Takahashi at present lives, a continuation of their pledge to bridge Jap and Western cultures one sip at a time. From $6,

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“My aesthetics in design come from me as a child, clothed, realizing nothing match me. It’s just like the schooling system: standardized. And we’re all customized,” mentioned Ron Finley, the Los Angeles-based activist and clothier, who not too long ago teamed up with the biodegradable, recycled cotton and gender-neutral clothes model Everyone.World on a brand new line of fundamentals: wide-leg pants, shirts and hoodies emblazoned with the phrases “Integrity” and “Consciousness,” floral-print bandannas and canvas luggage. Ten p.c of proceeds (which will probably be matched by Everyone.World) from the hoodies, luggage and pants, and one hundred pc of proceeds from the shirts and bandannas, will go to Finley’s namesake nonprofit. Finley’s activism first made headlines over 10 years in the past when he planted a backyard within the curb area in entrance of his home within the South Central neighborhood of L.A. Unbelievably, he was threatened with arrest; at present, the landscaping legal guidelines in California have modified because of his resistance (and he now gives a preferred grasp class). Finley is philosophical and holistic about his work — “That is one other type of design,” he mentioned on our Zoom name, waving an arm on the lush greenery behind him. Gardening to him is extra than simply an exercise; it’s a lifestyle. He added: “Simply get again to what really has worth and understand that these new telephones, that new automotive — nothing you should purchase offers you worth. The one factor that provides you worth is you and your integrity.” The marketing campaign, which was impressed by the palette of nature (pomegranate crimson pants, lemon yellow sweaters), additionally options two of Finley’s three proficient sons, Azzedine and Kohshin (an artist), who helped with the gathering’s designs. Typically, it simply runs — or grows — within the household. The Everyone.World by Ron Finley assortment begins at $20,

Although Shinichiro Ogata’s portfolio is wide-ranging — he’s a chef and restaurateur, a designer and an architect — the whole lot he does is in pursuit of saho, or the Japanese artwork of being. Nowhere is that plainer to see than at Ogata Paris, which opened in a former hôtel particulier within the Marais in December of 2019. Contained in the impeccably renovated area, guests can sit within the bar, restaurant or tea salon, or they’ll browse artwork, tea blends, sweets and an entire host of housewares to take with them once they go. Now — and quite conveniently, given present journey restrictions — a lot of those self same gadgets could be bought through Ogata Paris’s new on-line boutique. There, too, the breadth of Ogata’s inventive imaginative and prescient is on show, however to my thoughts a hammered-pewter chirori, or sake server; a fragile lacquered-paper plate; and a vibrant number of hitokuchi-gashi bite-size confections equivalent to a candied chestnut wrapped in bean paste and served with tea — are among the many highlights. For Ogata, tea is a method of fostering human encounters — “a medium [through which] to fulfill folks and share our sensitivity,” he wrote through a translator — however even in instances when these encounters are essentially fewer and farther between, we will nonetheless discover a little bit of consolation by searching for magnificence.

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Seen from its suburban road in Guadalajara, the capital of Jalisco State in western central Mexico, Casa Padilla seems to be much less like a home than like a monastery: a clean white wall marked with a broad crescent downspout and a plain cedar door. Barely seven ft excessive, the door opens right into a small, shaded vestibule that ends in one other door, this one resulting in a shiny, sunlit courtyard hemmed in by ecclesiastical partitions. Designed in 1989 by the now 63-year-old architect Hugo Gonzalez — who’s revered in Guadalajara’s tight-knit design neighborhood however little recognized exterior it — the 8,600-square-foot home isn’t a lot a construction as it’s a narrative, by no means legible in its entirety. If the delicate glass jewel bins of excessive Modernism and concrete bunkers of Brutalism embrace radical transparency, then Casa Padilla is rooted in an older, liturgical logic of thriller and awe. In actual fact, it’s one in every of many designs in and round Guadalajara that construct on the legacy of Luis Barragán and others of their privileging of introspection. For extra, go to — and comply with us on Instagram.

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